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‘Foe’, by Garth Davis: The Painful Authenticity of the Impostor
ALBERTO GARRANDÉS
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05/27/2026
The Art of César Aira
IVÁN DE LA NUEZ
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03/27/2026
Tania León: New Compositions
ALAN WEST-DURÁN
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03/24/2026
‘Créole Renaissance,’ by Aruán Ortiz: Image, Music, History
ALAN WEST-DURÁN
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01/08/2026
Intimate Architecture. Between Matter and Light. On the Work of Goga...
MAGELA GARCÉS
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12/23/2025
Cubans in the War in Ukraine: Human Trafficking and Mercenarism?
DARÍO ALEJANDRO ALEMÁN
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10/20/2023
Refeudalization, Modern/Colonial Occidentalism and Havana Gentrification
ALEXANDER HALL LUJARDO
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09/30/2023
I Breathe Hip-Hop: It was Sacredly Granted to Cuba by Olofi
PABLO D. HERRERA VEITIA
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09/27/2023
The Beginnings of Socialist Realism in Cuban Science Fiction
RINALDO ACOSTA
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09/18/2023
The (Castroist) Ruralization of Havana (Part II)
ALFREDO TRIFF
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08/09/2023
Exploring Poetry: Keiselim Montás and Norberto James
AIDA L. HEREDIA
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07/10/2023
Museums’ Down Time
IVÁN DE LA NUEZ
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06/29/2023
Russian Recolonization of Cuba
RAFAEL ROJAS
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06/21/2023
Picasso in Lezama’s Eye
RAFAEL ROJAS
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05/31/2023
Rebellion in Havana’s Classrooms and Newsrooms: Two Eras of Frustrated Transition...
TED A. HENKEN
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04/29/2023
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