For Oneyda and Gustavo The transvestite does not copy: he simulates, for there is no norm that invites and magnetizes the transformation, that decides the metaphor: it is rather the non-existence of the pampered being that constitutes the space, the region or the support of this simulation, of this concerted imposture: an appearance that regulates … Continue reading ‘Severo secreto’: Severo Sarduy’s Impossible Comeback