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‘Foe’, by Garth Davis: The Painful Authenticity of the Impostor
ALBERTO GARRANDÉS
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05/27/2026
The Art of César Aira
IVÁN DE LA NUEZ
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03/27/2026
Tania León: New Compositions
ALAN WEST-DURÁN
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03/24/2026
‘Créole Renaissance,’ by Aruán Ortiz: Image, Music, History
ALAN WEST-DURÁN
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01/08/2026
Intimate Architecture. Between Matter and Light. On the Work of Goga...
MAGELA GARCÉS
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12/23/2025
Hearing Cuban Voices in a Time of Crisis
TED A. HENKEN
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10/07/2024
If You Copy Something, Give Something Away
IVÁN DE LA NUEZ
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09/30/2024
The Fury of the Wind
CLAUDA ARCOS PONCE
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09/16/2024
Political Extremism or Affective Polarization? Notes on the Fly on the...
CECILIA BOBES
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09/07/2024
Sexual Abuse and Impunity at the International Film and Television School...
MARIO LUIS REYES
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08/26/2024
Cuban Science Fiction of the 1990s: Between Provocation and Change
RINALDO ACOSTA
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08/21/2024
The Havana Syndrome: A True Story of Espionage, Secret Weapons, and...
DARÍO ALEJANDRO ALEMÁN
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06/18/2024
The Word as Signal in Roberto Echavarren’s Writing
ALEJANDRO VARDERI
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06/03/2024
Arendt and the “Other America”
JOSÉ LASAGA MEDINA
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05/27/2024
Aging in Cuba
KATIA MONTEAGUDO
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03/21/2024
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