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Society & Politics

The Coming Country

I The relationship between aesthetics and politics in Cuba, commonly circumscribed to the post-59 period, corresponds to a...
MAILYN MACHADO -
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This is a magazine without a country that aims to access new spaces of deliberation and critical debate.

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Ricardo Miguel Hernández in the Realm of Otherness

EDGAR ARIEL - 0
Ricardo Miguel Hernández “examines” contemporary collage with a cross-border perspective. His palimpsests —let’s call them that— show how alive this art (collage) has been...

Atilio Pernisco and his ‘Transfixiones’

PABLO BALER - 0
Once again, Atilio Pernisco confronts us with ourselves. But this time, his characters, shipwrecked on the brink of impending disaster, experience death as a...

Latin America, Russia and the Invasion of Ukraine: A (Post-)Liberal Interpretation

ARMANDO CHAGUACEDA - 0
Russia’s invasion of Ukraine has resulted in some important geopolitical realignments. One of these has been the revision —or ratification— of the nexuses of...

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The Sound of Silence

COCO FUSCO - 2
In the last few days, as the latest protest by the San Isidro Movement has morphed from a collective poetry reading to a state...

“Can We Still Be Revolutionaries?” Anna Veltfort interviewed by Ted A. Henken

TED A. HENKEN - 2
In this exclusive interview with Ted Henken, New York graphic artist, blogger, and one-time habanera Anna Veltfort shares the contents of her “Cuban Cold...

The Coming Country

MAILYN MACHADO - 0
I The relationship between aesthetics and politics in Cuba, commonly circumscribed to the post-59 period, corresponds to a local tradition that gave birth to the...

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