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Queering Mozart: Saleh Kashefi on His Audiovisual Opera ‘WOLFGANG’

In his feature film WOLFGANG (2026), Iranian filmmaker Saleh Kashefi, also known as Filmsaaz, reinvents the young...

‘Foe’, by Garth Davis: The Painful Authenticity of the Impostor

In his book Historia natural de los cuentos de miedo (1974), the Spanish psychiatrist and essayist Rafael...

Towards a Cuban Cinema without Borders

Cuba is currently facing its worst economic crisis in modern history. Frequent and severe power outages, including...

The Nightmare of Thinking about Rights: An Interview with Cuban filmmaker Ricardo Figueredo

Ricardo Figueredo Oliva (1972) is a Cuban director, producer, and screenwriter, a graduate of the International Film...

‘Veritas’: The Reverse of Bay of Pigs (Special)

Introduction Veritas goes beyond simple historical narration; it is a cinematic essay that unveils a crucial event of...

‘Red Cockroaches’: Twenty years after Miguel Coyula’s Classic Film

What Miguel Coyula did for independent Cuban cinema has yet to be fully understood. Perhaps that’s why...

The filmmaker Luis Alejandro Yero talks about the censorship of his film in Havana

  There is a moment in this interview where I tell Luis Alejandro Yero (1989) that Cuban censorship...

“Memories of Underdevelopment”: a photographic series from today’s Cuba

Certainly, “Memories of Underdevelopment” is a series inspired by the novel and film of the same name,...