Cinema
‘Crónica azul’: Creation under Siege
“The world is not designed for cinematic autonomy, because cinema is a tool of power.” It is an absolutist assertion, therefore, debatable, that Lynn Cruz advances very early in her...
Architecture
Iʼm sorry / Itʼs broken. An homage to Vittorio Garatti and premature death.
Every single thing in this country is an homage to everything in the world, even the things that haven't happened yet.
Roberto Bolaño,...
Visual Arts
The Blue Flower
I want your horror, I want your design.
Lady Gaga
“I’ve never been conscious of my relationship with colors,...
Visual Arts
Jairo Alfonso and the taste of the world
"A slice of orange tastes as sweet as a whole orange", a friend of mine told me...
Visual Arts
In praise of the senses: Ramón Alejandro’s journey into...
Among all things that can be contemplated under the concavity of the heavens, nothing is seen that...
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Opinion
Disneyfication of San Isidro
As far as the Cuban issue is concerned, the anti-Trumpist exile is between a rock and hard...
Chronicle
“Can We Still Be Revolutionaries?” Anna Veltfort interviewed by Ted A. Henken
In this exclusive interview with Ted Henken, New York graphic artist, blogger, and one-time habanera Anna Veltfort...
Society & Politics
The Sound of Silence
In the last few days, as the latest protest by the San Isidro Movement has morphed from a collective...
Oldest Posts
Interviews
Cinema is like a train. Interview with Juan Carlos...
I met Juan Carlos Tabío on March 4, 2014, when I was working on a text about...
Opinion
Houellebecq and the reactionary revolution
Anéantir (2022), Michel Houellebecq's new novel, is -as it was also the case with his previous title...
