‘Crónica azul’: Creation under Siege

“The world is not designed for cinematic autonomy, because cinema is a tool of power.” It is an absolutist assertion, therefore, debatable, that Lynn Cruz advances very early in her...

Iʼm sorry / Itʼs broken. An homage to Vittorio Garatti and premature death.

Every single thing in this country is an homage to everything in the world, even the things that haven't happened yet. Roberto Bolaño,...

The Blue Flower

I want your horror, I want your design. Lady Gaga “I’ve never been conscious of my relationship with colors,...

Jairo Alfonso and the taste of the world

"A slice of orange tastes as sweet as a whole orange", a friend of mine told me...

In praise of the senses: Ramón Alejandro’s journey into...

Among all things that can be contemplated under the concavity of the heavens, nothing is seen that...
Advertismentspot_img

Featured

Most Read

Disneyfication of San Isidro

As far as the Cuban issue is concerned, the anti-Trumpist exile is between a rock and hard...

“Can We Still Be Revolutionaries?” Anna Veltfort interviewed by Ted A. Henken

In this exclusive interview with Ted Henken, New York graphic artist, blogger, and one-time habanera Anna Veltfort...

The Sound of Silence

In the last few days, as the latest protest by the San Isidro Movement has morphed from a collective...

Oldest Posts

Cinema is like a train. Interview with Juan Carlos...

I met Juan Carlos Tabío on March 4, 2014, when I was working on a text about...

Houellebecq and the reactionary revolution

Anéantir (2022), Michel Houellebecq's new novel, is -as it was also the case with his previous title...