Visual Arts
Women, Negritude and Cimarronaje: Some Thoughts on ‘Selected Pages’ by Gertrudis Rivalta
From March 16 to June 26, 2022, the New York gallery Thomas Nickles Project exhibited Selected Pages, a solo show by Cuban artist Gertrudis Rivalta Oliva (Santa Clara, 1971), curated by literary...
Literature
Transfiction Theory
1.
Why is it that if we all consider ourselves global people —citizens of the world is a phrase often read in newspapers—...
Opinion
Our Banality of Evil
This morning I went for a walk in New York with the right soundtrack for a mournful...
Visual Arts
How Do You Decolonize a Museum?
The Spanish Minister of Culture, Miquel Iceta, has just asked himself the question that serves as the...
Visual Arts
Ricardo Miguel Hernández in the Realm of Otherness
Ricardo Miguel Hernández “examines” contemporary collage with a cross-border perspective. His palimpsests —let’s call them that— show...
Advertisment
Featured
Most Read
Chronicle
“Can We Still Be Revolutionaries?” Anna Veltfort interviewed by Ted A. Henken
In this exclusive interview with Ted Henken, New York graphic artist, blogger, and one-time habanera Anna Veltfort...
Opinion
Disneyfication of San Isidro
As far as the Cuban issue is concerned, the anti-Trumpist exile is between a rock and hard...
Society & Politics
The Sound of Silence
In the last few days, as the latest protest by the San Isidro Movement has morphed from a collective...
Oldest Posts
Visual Arts
Museum and New Normal Order
A specter is haunting the world, and it is that of the New Normal Order. That mirage...
Cinema
White Chronicle for a Black Film
El Trono del Rey is a film authorized and confirmed by Eleggua, the orisha that opens and...
