Women, Negritude and Cimarronaje: Some Thoughts on ‘Selected Pages’ by Gertrudis Rivalta

From March 16 to June 26, 2022, the New York gallery Thomas Nickles Project exhibited Selected Pages, a solo show by Cuban artist Gertrudis Rivalta Oliva (Santa Clara, 1971), curated by literary...

Transfiction Theory

1. Why is it that if we all consider ourselves global people —citizens of the world is a phrase often read in newspapers—...

Our Banality of Evil

This morning I went for a walk in New York with the right soundtrack for a mournful...

How Do You Decolonize a Museum?

The Spanish Minister of Culture, Miquel Iceta, has just asked himself the question that serves as the...

Ricardo Miguel Hernández in the Realm of Otherness

Ricardo Miguel Hernández “examines” contemporary collage with a cross-border perspective. His palimpsests —let’s call them that— show...
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“Can We Still Be Revolutionaries?” Anna Veltfort interviewed by Ted A. Henken

In this exclusive interview with Ted Henken, New York graphic artist, blogger, and one-time habanera Anna Veltfort...

Disneyfication of San Isidro

As far as the Cuban issue is concerned, the anti-Trumpist exile is between a rock and hard...

The Sound of Silence

In the last few days, as the latest protest by the San Isidro Movement has morphed from a collective...

Oldest Posts

Museum and New Normal Order

A specter is haunting the world, and it is that of the New Normal Order. That mirage...

White Chronicle for a Black Film

El Trono del Rey is a film authorized and confirmed by Eleggua, the orisha that opens and...