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Interviews

Queering Mozart: Saleh Kashefi on His Audiovisual Opera ‘WOLFGANG’

In his feature film WOLFGANG (2026), Iranian filmmaker Saleh Kashefi, also known as Filmsaaz, reinvents the young...

Yusnel Suárez, Miami, and the Fractured Nation: The Theatrical Adaptation of ‘Strawberry and Chocolate’

In Suárez’s theatrical adaptation, the conflict between Diego and David ceases to be merely a metaphor for...

Porno para Ricardo: The Cuban Punk Band that Castro Regime couldn’t silence

The Cuban punk band Porno para Ricardo (PPR) is an experiment in resistance that has survived decades...

From the Decisive Moment to Slow Breathing: An Interview with Cuban Photographer Manuel Almenares

During a visit to Havana on September 2025, I had the pleasure of meeting the Cuban photographer...

Sensations by Fernando García Correa: A Conversation

Critics have interpreted the work of Fernando García Correa (Mexico City, 1958) as part of the consolidation...

Damaris Betancourt: “Totalitarianism Always Radiates Opacity Because It Creates a Sad Man”

The last time I saw Damaris Betancourt in person was the summer of 1988. As often happens...

The Face as Something Expanded. Interview with Danay Nápoles

Danay Nápoles proposes a sort of erotism, the erotism of faciality. Her discourse (logos) is realized as...

Inhabiting the Image: An Interview with Cuban-American Photographer Silvia Lizama

In an era when photography appears to dissolve into digital immediacy and mechanical repetition of images, Cuban-American...