MELISSA C. NOVO

This is a magazine without a country that aims to access new spaces of deliberation and critical debate.

Latest Posts

What hides beneath Alvaro Uribe’s naked face

Society & Politics JUAN CÁRDENAS - 01/20/2021 0

Until very recently, Alvaro Uribe’s face was only registered in two photographic variations: in the first we saw him with his usual half smile,...

Who are the friends of the people, and how do they fight the post-modernists?

Articles IVÁN DE LA NUEZ - 01/20/2021 0

To Manuel Moreno Fraginals on his centennial One. The term “postmodernism” —as a description of a society rather than a particular poetic or artistic movement—...

Vertigo and ecstasy: Ofill Echevarriaʼs work

Visual Arts ALEJANDRO ROBLES - 01/15/2021 0

1 I would like to offer an image of Ofill Echevarriaʼs work. It is paradoxical that I (who am not a painter) try to give...

The Sound of Silence

Society & Politics COCO FUSCO - 11/21/2020 3

In the last few days, as the latest protest by the San Isidro Movement has morphed from a collective poetry reading to a state...

Counter-surveillance. Interview with Coco Fusco

Interviews CARLOS A. AGUILERA - 10/16/2020 0

Despite the fact that in recent years it has been appearing a series of contributions ―articles, essays, anthologies, exhibitions― that help think about the...

They are dying in Cuba, and yes, this is about systemic racism too

Society & Politics MARÍA DE LOURDES MARIÑO FERNÁNDEZ - 11/25/2020 0

Movimiento San Isidro aims at the heart of whatever is left of the Cuban Revolution, and it is acting by positioning its members’ bodies...

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Jorge Ferrer: “When every day seemed vital”