MELISSA C. NOVO

This is a magazine without a country that aims to access new spaces of deliberation and critical debate.

Latest Posts

Women, Negritude and Cimarronaje: Some Thoughts on ‘Selected Pages’ by Gertrudis Rivalta

MARÍA ANTONIA CABRERA ARÚS - 01/21/2023 0

From March 16 to June 26, 2022, the New York gallery Thomas Nickles Project exhibited Selected Pages, a solo show by Cuban artist Gertrudis Rivalta Oliva...

Transfiction Theory

CARLOS A. AGUILERA - 01/17/2023 0

1. Why is it that if we all consider ourselves global people —citizens of the world is a phrase often read in newspapers— do we...

Our Banality of Evil

ARMANDO LUCAS CORREA - 01/14/2023 0

This morning I went for a walk in New York with the right soundtrack for a mournful day like today: Pablo Milanés. What better...

The Sound of Silence

COCO FUSCO - 11/21/2020 2

In the last few days, as the latest protest by the San Isidro Movement has morphed from a collective poetry reading to a state...

“Can We Still Be Revolutionaries?” Anna Veltfort interviewed by Ted A. Henken

TED A. HENKEN - 02/26/2021 2

In this exclusive interview with Ted Henken, New York graphic artist, blogger, and one-time habanera Anna Veltfort shares the contents of her “Cuban Cold...

Disneyfication of San Isidro

NÉSTOR DÍAZ DE VILLEGAS - 02/10/2021 0

As far as the Cuban issue is concerned, the anti-Trumpist exile is between a rock and hard place. A shady deal that reverses, overnight,...

Articles by

Jorge Luis Arcos: Art as Rebellion

Jorge Ferrer: “When every day seemed vital”