Sensing Black Futures in Sara Gómez’s Archives

The following lecture was given as part of the colloquium “Addressing the Past: Memory and the Revolution Cuban in 21st Century Cuban Film and Media“, on April 9, 2022.

Advertismentspot_img
SUSAN LORD
SUSAN LORD
Susan Lord is Professor in the Department of Film and Media at Queen's University, jointly appointed to the Departments of Art and Gender Studies, and currently serving as the Director of the Graduate Program in Cultural Studies. Her research interests have landed in the areas of cinema and media arts, archives, gendered spaces and the city, and Cuban cinema and visual culture. With Maria Caridad Cumana, she is co-editor of The Cinema of Sara Gómez: Reframing Revolution (University of Indiana Press). She also published Fluid Screens: Expanded Cinema and Digital Cultures (with Janine Marchessault) Toronto: University of Toronto Press, 2007.

LEAVE A REPLY

Please enter your comment!
Please enter your name here


Related posts

Advertismentspot_img

Latest posts

Queering Mozart: Saleh Kashefi on His Audiovisual Opera ‘WOLFGANG’

In his feature film WOLFGANG (2026), Iranian filmmaker Saleh Kashefi, also known as Filmsaaz, reinvents the young Mozart’s exile in Paris in his own...

Ramón Williams: ‘Last Green Patches’ or Where the City Still Breathes

Since its origins, photography has woven a bond of eternity and permanence with the city. Like silent accomplices, artists of the lens have known...

Cuba: The Bombs That Haven’t Fallen

Seminars debate the bombs that have not yet fallen, while the war the Cuban regime has waged for decades against its own people is passed over in silence. What is at stake is naming the war that does exist, and those who wage it – and granting Cubans the recognition that they know exactly what they are doing when they take to the streets.