Affective Landscapes and Nostalgia: Revolución y Desilusión

The following lecture was given as part of the colloquium “Addressing the Past: Memory and the Revolution Cuban in 21st Century Cuban Film and Media“, on April 8, 2022.

Advertismentspot_img
ANA M. LÓPEZ
ANA M. LÓPEZ
Ana M. López is Professor of Communication and Director of the Cuban and Caribbean Studies Institute at Tulane University. She also serves as Associate Provost for Faculty Affairs. Her research is focused on Latin American and Latino film and cultural studies. She is co-editor (with Marvin DLugo and Laura Podalsky) of The Routledge Companion to Latin American Cinema (2017) and the editor in chief of the Intellect journal Studies in Spanish and Latin American Cinemas. She has published more than three dozen essays and book chapters, addressing topics that range from melodrama and performance in the Golden Age Cinemas of Latin America, early silent cinema and modernity, and documentary to telenovelas, Cuban American media and intermediality.

LEAVE A REPLY

Please enter your comment!
Please enter your name here


Related posts

Advertismentspot_img

Latest posts

Queering Mozart: Saleh Kashefi on His Audiovisual Opera ‘WOLFGANG’

In his feature film WOLFGANG (2026), Iranian filmmaker Saleh Kashefi, also known as Filmsaaz, reinvents the young Mozart’s exile in Paris in his own...

Ramón Williams: ‘Last Green Patches’ or Where the City Still Breathes

Since its origins, photography has woven a bond of eternity and permanence with the city. Like silent accomplices, artists of the lens have known...

Cuba: The Bombs That Haven’t Fallen

Seminars debate the bombs that have not yet fallen, while the war the Cuban regime has waged for decades against its own people is passed over in silence. What is at stake is naming the war that does exist, and those who wage it – and granting Cubans the recognition that they know exactly what they are doing when they take to the streets.