AIDA L. HEREDIA

This is a magazine without a country that aims to access new spaces of deliberation and critical debate.

Latest Posts

I Breathe Hip-Hop: It was Sacredly Granted to Cuba by Olofi

PABLO D. HERRERA VEITIA - 09/27/2023 0

Yeah... It’s too real... How y’all feel out there? Let me know if it’s real out there. “Survival Test”, J-Dilla, 2003 Like great thinkers, I have a mission: hip-hop is...

Dear Jacksonville

JENNY SANCHEZ & MARTHA LUISA HERNÁNDEZ CADENAS - 09/22/2023 0

I don’t know you, and I won’t ever get to know you, but you have piqued my absolute interest. I can only imagine your...

The Beginnings of Socialist Realism in Cuban Science Fiction

RINALDO ACOSTA - 09/18/2023 0

One of the consequences of the abrupt break in the evolution of Cuban literature that took place in 1971, due to purely extra-literary causes,...

Disneyfication of San Isidro

NÉSTOR DÍAZ DE VILLEGAS - 02/10/2021 0

As far as the Cuban issue is concerned, the anti-Trumpist exile is between a rock and hard place. A shady deal that reverses, overnight,...

The Sound of Silence

COCO FUSCO - 11/21/2020 2

In the last few days, as the latest protest by the San Isidro Movement has morphed from a collective poetry reading to a state...

“Can We Still Be Revolutionaries?” Anna Veltfort interviewed by Ted A. Henken

TED A. HENKEN - 02/26/2021 2

In this exclusive interview with Ted Henken, New York graphic artist, blogger, and one-time habanera Anna Veltfort shares the contents of her “Cuban Cold...

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Exploring Poetry: Keiselim Montás and Norberto James