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Yusnel Suárez, Miami, and the Fractured Nation: The Theatrical Adaptation of ‘Strawberry and Chocolate’

In Suárez’s theatrical adaptation, the conflict between Diego and David ceases to be merely a metaphor for...
ELIECER JIMÉNEZ ALMEIDA -
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Literature

The Art of César Aira

One. Henri Michaux liked to think of the artist as someone who resists the impulse to leave...
IVÁN DE LA NUEZ -
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Literature

‘Security Questions’: A Book by Cuban Osdany Morales Wins Inaugural Translated Poetry Prize

Security Questions, by Cuban writer Osdany Morales (Nueva Paz, Cuba, 1981), translated into English by Harry Bauld,...
No Country Magazine -
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Cuban Osdany Morales Among Finalists for Fitzcarraldo, Giramondo, and New Directions’ Poetry in Translation Prize

The winners of the inaugural Poetry in Translation Prize, jointly sponsored by the English-language publishers Fitzcarraldo Editions,...
No Country Magazine -
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Interviews

A Candied Pineapple for Severo Sarduy. Interview with Oneyda González and Gustavo Pérez Fernández

Exile is also that: erasing the mark of origin. Severo Sarduy Severo Sarduy’s life is a winding, complex tapestry....
EDINSON ALADINO -
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Literature

Legacies of José Kozer

Y así caminaríamos , como en la anécdota del arquero japonés donde el arco y la flecha...
AIDA L. HEREDIA -
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Literature

Literary Cuba comes to Cambridge. Interview with Vicky Unruh and Jacqueline Loss

Who can still speak of the island, who still has the privilege of gnosis intact? From that...
ROBERTO RODRÍGUEZ REYES -
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Literature

Cuban Science Fiction in the 1960s: Arango, Collazo and Herrero

Defining the specificity of science fiction produced in Latin America has been a topic that has sparked...
RINALDO ACOSTA -
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Yusnel Suárez, Miami, and the Fractured Nation: The Theatrical Adaptation of ‘Strawberry and Chocolate’

ELIECER JIMÉNEZ ALMEIDA - 0
In Suárez’s theatrical adaptation, the conflict between Diego and David ceases to be merely a metaphor for the intolerance of 1990s Cuba, transforming instead...

‘Foe’, by Garth Davis: The Painful Authenticity of the Impostor

ALBERTO GARRANDÉS - 0
In his book Historia natural de los cuentos de miedo (1974), the Spanish psychiatrist and essayist Rafael Llopis quotes the inescapable Algernon Blackwood, speaking,...

Porno para Ricardo: The Cuban Punk Band that Castro Regime couldn’t silence

LÍA VILLARES - 0
The Cuban punk band Porno para Ricardo (PPR) is an experiment in resistance that has survived decades of censorship, exile, and geographical changes. Since...

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Disneyfication of San Isidro

NÉSTOR DÍAZ DE VILLEGAS - 0
As far as the Cuban issue is concerned, the anti-Trumpist exile is between a rock and hard place. A shady deal that reverses, overnight,...

The Sound of Silence

COCO FUSCO - 2
In the last few days, as the latest protest by the San Isidro Movement has morphed from a collective poetry reading to a state...

“Can We Still Be Revolutionaries?” Anna Veltfort interviewed by Ted A. Henken

TED A. HENKEN - 2
In this exclusive interview with Ted Henken, New York graphic artist, blogger, and one-time habanera Anna Veltfort shares the contents of her “Cuban Cold...

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