This is a magazine without a country that aims to access new spaces of deliberation and critical debate.

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Another migrant story

Chronicle DARÍO ALEJANDRO ALEMÁN - 06/29/2022 0

The driver ordered them to take their things and get into the car. “They are waiting for us now. Quickly,” he said while making sure...

I was a witness in the trial against Luis Manuel Otero

Opinion JULIO LLÓPIZ CASAL - 06/27/2022 0

The courts in Cuba are places where punishment is administered. Justice is conceived as the safeguard of an order of things whose questioning is...

The Finlays, Another Form of Continuity

Chronicle JORGE FERRER - 06/07/2022 0

The five Finlays who string together this tale, three men and two women, are people born on the island of Cuba, but none of them has been strangers to New York City.

The Sound of Silence

Society & Politics COCO FUSCO - 11/21/2020 2

In the last few days, as the latest protest by the San Isidro Movement has morphed from a collective poetry reading to a state...

“Can We Still Be Revolutionaries?” Anna Veltfort interviewed by Ted A. Henken

Chronicle TED A. HENKEN - 02/26/2021 2

In this exclusive interview with Ted Henken, New York graphic artist, blogger, and one-time habanera Anna Veltfort shares the contents of her “Cuban Cold...

The Coming Country

Society & Politics MAILYN MACHADO - 01/28/2021 0

I The relationship between aesthetics and politics in Cuba, commonly circumscribed to the post-59 period, corresponds to a local tradition that gave birth to the...

Tag: cuban art

Cuba: Fictionalize a possible country

The Coming Country

Vertigo and ecstasy: Ofill Echevarriaʼs work

Latest Posts

Another migrant story

I was a witness in the trial against Luis Manuel Otero

The Finlays, Another Form of Continuity

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The Sound of Silence

“Can We Still Be Revolutionaries?” Anna Veltfort interviewed by Ted A. Henken

The Coming Country

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