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‘Foe’, by Garth Davis: The Painful Authenticity of the Impostor
ALBERTO GARRANDÉS
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05/27/2026
The Art of César Aira
IVÁN DE LA NUEZ
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03/27/2026
Tania León: New Compositions
ALAN WEST-DURÁN
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03/24/2026
‘Créole Renaissance,’ by Aruán Ortiz: Image, Music, History
ALAN WEST-DURÁN
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01/08/2026
Intimate Architecture. Between Matter and Light. On the Work of Goga...
MAGELA GARCÉS
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12/23/2025
Fanon and Cuba: The Disagreement
RAFAEL ROJAS
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11/28/2025
‘Nuit éternelle, désobéissance esthétique’: Cuban Nights in Montreal
DALEYSI MOYA
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10/21/2025
Coming into the World in Motion: ‘DeBÍ TiRAR MáS FOToS’ by...
JUAN CARLOS QUINTERO-HERENCIA
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09/25/2025
Kenny Lemes: Inventing Life
MARTHA LUISA HERNÁNDEZ CADENAS
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09/21/2025
The Minimal Secret Strength of Sabrina Fanego
ORLANDO HERNÁNDEZ
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09/12/2025
Improbable Manual for “Hunters” of Cuban Repessors in the U.S.
DARÍO ALEJANDRO ALEMÁN
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05/12/2025
Cuban Science Fiction in the 1960s: Arango, Collazo and Herrero
RINALDO ACOSTA
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05/08/2025
Chronicle in “Abstract Times”—an exhibition in Havana
ABRAM BRAVO GUERRA
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02/09/2025
‘Archivos del Monte’ or the Amnesia of the Image
ANTONIO ENRIQUE GONZÁLEZ ROJAS
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12/28/2024
Oscar Lewis in Cuba: Sociocultural Anthropology and National Constructions of Poverty
ADRIAN FUNDORA GARCÍA
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11/29/2024
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