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‘Foe’, by Garth Davis: The Painful Authenticity of the Impostor

In his book Historia natural de los cuentos de miedo (1974), the Spanish psychiatrist and essayist Rafael...

The Art of César Aira

One. Henri Michaux liked to think of the artist as someone who resists the impulse to leave...

Tania León: New Compositions

Tania León, winner of the Pulitzer Prize in 2021, just released a new album, the fruit of...

‘Créole Renaissance,’ by Aruán Ortiz: Image, Music, History

In his most recent album, Créole Renaissance, the Santiago-born Aruán Ortiz (1973) traces the world of the...

Intimate Architecture. Between Matter and Light. On the Work of Goga Trascierra

Introduction The work of Goga Trascierra can be divided into two main groups. The first tends towards the...

Fanon and Cuba: The Disagreement

We have often discussed the paradox that a thinker as seminal as Frantz Fanon (1925-1961), whose ideas...

‘Nuit éternelle, désobéissance esthétique’: Cuban Nights in Montreal

I have not been back to Cuba in five years. Last time, I flew from Mexico to...

Coming into the World in Motion: ‘DeBÍ TiRAR MáS FOToS’ by Bad Bunny

To my daughter Daniela Isabel, my son Gustavo Andrés, and my nephew Gabriel Armando Mora Quintero. To my...