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    ‘Foe’, by Garth Davis: The Painful Authenticity of the Impostor

    ALBERTO GARRANDÉS - 05/27/2026

    The Art of César Aira

    IVÁN DE LA NUEZ - 03/27/2026

    Tania León: New Compositions

    ALAN WEST-DURÁN - 03/24/2026

    ‘Créole Renaissance,’ by Aruán Ortiz: Image, Music, History

    ALAN WEST-DURÁN - 01/08/2026

    Intimate Architecture. Between Matter and Light. On the Work of Goga...

    MAGELA GARCÉS - 12/23/2025

    Fanon and Cuba: The Disagreement

    RAFAEL ROJAS - 11/28/2025

    ‘Nuit éternelle, désobéissance esthétique’: Cuban Nights in Montreal

    DALEYSI MOYA - 10/21/2025

    Coming into the World in Motion: ‘DeBÍ TiRAR MáS FOToS’ by...

    JUAN CARLOS QUINTERO-HERENCIA - 09/25/2025

    Kenny Lemes: Inventing Life

    MARTHA LUISA HERNÁNDEZ CADENAS - 09/21/2025

    The Minimal Secret Strength of Sabrina Fanego

    ORLANDO HERNÁNDEZ - 09/12/2025

    Improbable Manual for “Hunters” of Cuban Repessors in the U.S.

    DARÍO ALEJANDRO ALEMÁN - 05/12/2025

    Cuban Science Fiction in the 1960s: Arango, Collazo and Herrero

    RINALDO ACOSTA - 05/08/2025

    Chronicle in “Abstract Times”—an exhibition in Havana

    ABRAM BRAVO GUERRA - 02/09/2025

    ‘Archivos del Monte’ or the Amnesia of the Image

    ANTONIO ENRIQUE GONZÁLEZ ROJAS - 12/28/2024

    Oscar Lewis in Cuba: Sociocultural Anthropology and National Constructions of Poverty

    ADRIAN FUNDORA GARCÍA - 11/29/2024
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