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    Queering Mozart: Saleh Kashefi on His Audiovisual Opera ‘WOLFGANG’

    JOSÉ LUIS APARICIO - 07/06/2026

    Yusnel Suárez, Miami, and the Fractured Nation: The Theatrical Adaptation of...

    ELIECER JIMÉNEZ ALMEIDA - 06/01/2026

    Porno para Ricardo: The Cuban Punk Band that Castro Regime couldn’t...

    LÍA VILLARES - 05/26/2026

    From the Decisive Moment to Slow Breathing: An Interview with Cuban...

    WILLIAM RIERA - 05/25/2026

    Sensations by Fernando García Correa: A Conversation

    IBRAHIM HERNÁNDEZ ORAMAS - 02/13/2026

    Ireti Bookstore, the First Bookstore for Afro-descendants in Cuba. An Interview...

    CARLA GLORIA COLOMÉ - 11/20/2024

    Leandro Feal, the Ninja Photographer

    KATHERINE PERZANT - 08/13/2024

    Cuban Artist Luis Manuel Otero Interviewed from Prison

    CARLOS MANUEL ÁLVAREZ - 04/14/2024

    José Manuel Mesías: “Is the erection of a scarecrow a crucifixion?”

    FRANÇOIS VALLÉE - 02/26/2024

    The Forgotten Origins of Cuban Science Fiction

    RINALDO ACOSTA - 02/02/2024

    The filmmaker Luis Alejandro Yero talks about the censorship of his...

    JESÚS ADONIS MARTÍNEZ - 01/27/2024

    Pedro Juan Gutiérrez and ‘Dirty Havana Trilogy’: 25 Years Later

    DARÍO ALEJANDRO ALEMÁN - 12/01/2023

    The Silence Barrier: A Conversation with Roberto Echavarren about ‘Russian Nights:...

    PABLO BALER - 11/27/2023

    Down with Fidel, Long Live Edel, and To Hell with Trump!

    TED A. HENKEN - 11/22/2023

    Cuban artist Samuel Riera talks about Luis Manuel Otero Alcántara: “he...

    OBSERVATORY OF CULTURAL RIGHTS - 11/13/2023
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