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Interviews

Yusnel Suárez, Miami, and the Fractured Nation: The Theatrical Adaptation of ‘Strawberry and Chocolate’

In Suárez’s theatrical adaptation, the conflict between Diego and David ceases to be merely a metaphor for the intolerance of 1990s Cuba, transforming instead into a mirror of the ideological...
ELIECER JIMÉNEZ ALMEIDA -
Articles

‘Foe’, by Garth Davis: The Painful Authenticity of the Impostor

In his book Historia natural de los cuentos de miedo (1974), the Spanish psychiatrist and essayist Rafael Llopis quotes the inescapable Algernon...
ALBERTO GARRANDÉS -
Music

Porno para Ricardo: The Cuban Punk Band that Castro...

The Cuban punk band Porno para Ricardo (PPR) is an experiment in resistance that has survived decades...
LÍA VILLARES -
Interviews

From the Decisive Moment to Slow Breathing: An Interview...

During a visit to Havana on September 2025, I had the pleasure of meeting the Cuban photographer...
WILLIAM RIERA -
Society & Politics

From Mar Verde to Miami: Exile Came on a...

When he left the Mar Verde prison this Monday, October 13th, 2025, heading to the international airport...
CARLA GLORIA COLOMÉ -
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Interviews

Cuban spectres of Iván de la Nuez. Interview

On the floor of the university residence where I lived, someone had been left a book by...
IBRAHIM HERNÁNDEZ ORAMAS -
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Chronicle

The Finlays, Another Form of Continuity

The five Finlays who string together this tale, three men and two women, are people born on the island of Cuba, but none of them has been strangers to New York City.
JORGE FERRER -
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Opinion

Disneyfication of San Isidro

As far as the Cuban issue is concerned, the anti-Trumpist exile is between a rock and hard place. A...
NÉSTOR DÍAZ DE VILLEGAS -

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Society & Politics

The State and Femicides in Cuba: Between Indifference and...

Arelis Almares Alberteris, 40, began her daily routine early in the morning, riding her bicycle to the...
DARÍO ALEJANDRO ALEMÁN -
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Interviews

Sensations by Fernando García Correa: A Conversation

Critics have interpreted the work of Fernando García Correa (Mexico City, 1958) as part of the consolidation...
IBRAHIM HERNÁNDEZ ORAMAS -
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Articles

‘Créole Renaissance,’ by Aruán Ortiz: Image, Music, History

In his most recent album, Créole Renaissance, the Santiago-born Aruán Ortiz (1973) traces the world of the...
ALAN WEST-DURÁN -
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News

Cuban Osdany Morales Among Finalists for Fitzcarraldo, Giramondo, and...

The winners of the inaugural Poetry in Translation Prize, jointly sponsored by the English-language publishers Fitzcarraldo Editions,...
No Country Magazine -
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Yusnel Suárez, Miami, and the Fractured Nation: The Theatrical Adaptation of ‘Strawberry and Chocolate’

ELIECER JIMÉNEZ ALMEIDA - 0
In Suárez’s theatrical adaptation, the conflict between Diego and David ceases to be merely a metaphor for the intolerance of 1990s Cuba, transforming instead...

‘Foe’, by Garth Davis: The Painful Authenticity of the Impostor

ALBERTO GARRANDÉS - 0
In his book Historia natural de los cuentos de miedo (1974), the Spanish psychiatrist and essayist Rafael Llopis quotes the inescapable Algernon Blackwood, speaking,...

Porno para Ricardo: The Cuban Punk Band that Castro Regime couldn’t silence

LÍA VILLARES - 0
The Cuban punk band Porno para Ricardo (PPR) is an experiment in resistance that has survived decades of censorship, exile, and geographical changes. Since...

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Disneyfication of San Isidro

NÉSTOR DÍAZ DE VILLEGAS - 0
As far as the Cuban issue is concerned, the anti-Trumpist exile is between a rock and hard place. A shady deal that reverses, overnight,...

The Sound of Silence

COCO FUSCO - 2
In the last few days, as the latest protest by the San Isidro Movement has morphed from a collective poetry reading to a state...

“Can We Still Be Revolutionaries?” Anna Veltfort interviewed by Ted A. Henken

TED A. HENKEN - 2
In this exclusive interview with Ted Henken, New York graphic artist, blogger, and one-time habanera Anna Veltfort shares the contents of her “Cuban Cold...

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